V.I. Warshawski receives an unwelcome shock when her aunt Elena arrives on her doorstep in the middle of the night, having fled from her burning hotel. But things go from bad to worse when Elena mysteriously vanishes and the corpse of her aunt’s friend is discovered at a construction site.
As V.I.’s investigation plunges her deep into the workings of the construction industry and county politics, she finds herself part of a dangerous game of corruption where her life is the prize. Someone’s out to silence her, and they won’t stop until they do . . .
As V.I.’s investigation plunges her deep into the workings of the construction industry and county politics, she finds herself part of a dangerous game of corruption where her life is the prize. Someone’s out to silence her, and they won’t stop until they do . . .
Newsletter Signup
By clicking ‘Sign Up,’ I acknowledge that I have read and agree to Hachette Book Group’s Privacy Policy and Terms of Use
Reviews
The story is as active as any Marlowe ever encountered: sluggings, murders attempted, murders achieved, a very scary pursuit by night in a derelict building. Warshawski survives, narrowly, to tell the story in a sharp-tongued, sardonic first person . . . She is also wonderful company and a rich discovery awaiting those who have yet to meet her.
With the creation of V.I. Warshawski, Sara Paretsky did more than anyone to change the face of contemporary women's fiction.
It's hard not to get caught up in her passion . . . Snappy dialogue, tight plotting and realistic situations make Paretsky's unapologetically politicised thrillers a pleasure to read, whatever your viewpoint.
The thing about Sara Paretsky is, she's tough . . . she doesn't flinch from examining old social injustices others might find too shameful (and too painful) to dig up
Some crime series grow stale over time, but there's no sign of fatigue here. This is partly because the recurring characters continue to develop and engage the reader, and partly because of the moral intelligence that informs the writing.
Paretsky has been putting her private investigator through her paces since 1982, changing perceptions of women in crime fiction through the creation of a fiercely independent female detective. She keeps her brand of politicised noir fresh by responding to issues - social, cultural and political as well as gender - in contemporary life . . . Paretsky is firing on all cylinders