Thrown by Sara Cox – Free Extract
A sneak preview of the hilarious, warm and big-hearted debut from much-loved broadcaster Sara Cox: THROWN
Thrown publishes on 12th May and signed copies are available here from Waterstones!
1
Becky
Becky stood in the Inventors’ Estate community hall with her hands on her hips, absent-mindedly squeezing the extra bit of flesh that had taken up residence over Christmas and had made itself so at home that it seemed set to stay through Spring.
It actually felt quite nice between her fingers and thumb, rolling the little lumps like dried peas just under the surface. Must do something about that, she thought, though it’d been an age since she’d been to Zumba.
The wire from her bra had escaped into her cleavage – that’d teach her for bunging them in the machine instead of hand washing them. The bra also felt very tight – surely at forty-two she was too old for a growth spurt? Today, like most days, her curves were covered with a baggy T-shirt and black leggings that’d gone saggy at the knees – this she considered her work uniform. Her bottle blonde hair was chucked up in a scrunchie, and she’d nicked her son Elliot’s old red Converse. He’d just turned 26 and had towered over her since his teens, though that didn’t take much. ‘All good things come in small packages’ mum always told her.
The bra wire was currently jabbing her left breast every time she breathed in and, today of all days, she’d need to take some deep breaths.
The scene before her was like one of those immersive theatre experiences, with Becky the unsuspecting audience member suddenly surrounded by the cast as the drama unfolded. Eight large wooden workbenches were grouped in a corner like a herd of cows spooked by an over enthusiastic sheepdog. Next to them was a stack of metal stools, leaning over at an alarming angle.
A block the size of a huge fridge was squatting on a pallet surrounded by nine slightly smaller blocks. All were wrapped in thick white plastic with wedges of polystyrene cradling the corners. There were currently three men in various poses positioned around the blocks. The first delivery man, wiry and beige of skin, hair, tooth and overall – a pouch of rolling baccy poking out his top pocket – was on his hands and knees, peering underneath the
biggest pallet.
He sat up – ‘I’d like,’ he said, slowly stroking his chin as if about to reveal an earth-shattering prophecy ‘to get this beauty into position before unwrapping her.’
His colleague, a chubby lad with raspberry cheeks and gelled black hair, stopped wrestling with the plastic on one of the smaller packages and looked up. ‘I bet you would boss,’ he gurned.
Becky looked over to Jack for support. He was standing a few feet away, scratching his head.
‘What you thinking Jack – you look confused?’
‘I’m thinking . . .’ Jack stopped scratching. ‘I’ve got nits again from Elsie – little buggers love me, treat my scalp like an-all-you-can-eat- buffet they do.’ He chuckled. ‘I’ve told Elsie they like her ’cos she’s delicious.’ Even when describing an infestation of lice, Becky marvelled at how his eyes shone whenever he mentioned his granddaughter.
Becky had a real soft spot for Jack – he’d been caretaker at the centre ever since it was built in the mid-seventies, and had always been lovely to her mum when she’d cleaned there. He was sturdy, topped with a generous crop of salt and pepper hair, and had a kind face that hinted at a rugged handsomeness in his prime.
‘Brew?’ he asked, smiling. ‘Come on Becky, you look like you could do with one, let’s put kettle on for these lads too, I’m spitting feathers here,’ and he held out his forearm for Becky to take, as if leading her into a grand ballroom, not a cramped community centre kitchen.
Becky hopped up onto the unit next to the sink and watched as Jack dropped teabags into four large mugs. She could feel the air thicken with silence like it did when he was building up to a pep talk, and braced herself. ‘Now then Becky, you inherited a lot of things from your mum – her height for starters, ’cos she was a short-arse too.’ Becky laughed, but noticed the slight wobble in Jack’s voice. ‘Not to mention her lovely smile. However, her tremendous self-belief seems to have skipped a generation. Young Elliot has it in spades; you though missus, you need to believe in yourself.’ He stirred milk into the tea and looked at her, eyes shining. ‘Your mum would be so proud of you Becky. This old place might be a bit tatty round the edges, but you’re doing your best to breathe life back into it, and more impor- tantly, bring people together – and that,’ he waggled the teaspoon at her, ‘is exactly what your mum was all about.’
‘I know Jack, it just feels like I’ve bitten off more than I can chew.’
‘Nonsense.’ He frowned. ‘You can handle this – it’s a pottery class you’re organising not a military coup. It’s a positive thing, people will love it. They need something like this to bring them together a bit.’
Becky sipped her tea. ‘It’s just . . . I’m worried people will be too nervous to come along; people don’t know each other like they used to – when I was little I reckon ninety-five per cent of the estate was counted as either an aunt or an uncle even though mum was an only child!’
Jack smiled warmly. ‘I’ve lived in Lennington all my life Becky
– what makes this estate special is the people. I used to ride my bike in the shadow of the munitions factory right here where we’re standing now; I saw the estate spring up, fill with families. This place,’ he pointed to the floor, ‘was the heart of it then, and it can be again. You just have to have faith.’
'GORGEOUS. Funny, warm... You'll LOVE it!' MARIAN KEYES
'Full of humour and heart' RICHARD OSMAN
'Riotous, unpredictable and lovely' JO BRAND
Becky: a single mum who prides herself on her independence. She knows from painful experience that men are trouble.
Louise: a loving husband, gorgeous kids. She ought to feel more grateful.
Jameela: all she's ever done is work hard, and try her best. Why won't life give her the one thing she really wants?
Sheila: the nest is empty, she dreams of escaping to the sun, but her husband seems so distracted...
The inhabitants of the Inventor's Housing Estate keep themselves to themselves. There are the friendly 'Hellos' when commutes coincide and the odd cheeky eye roll when the wine bottles clank in number 7's wheelie bin, but it's not exactly Ramsay Street.
The dilapidated community centre is no longer the beating heart of the estate that Becky remembers from her childhood. So the new pottery class she's helped set up feels like a fresh start. And not just for her.
The assorted neighbours come together to try out a new skill, under the watchful eye of their charismatic teacher, Sasha. And as the soft unremarkable lumps of clay are hesitantly, lovingly moulded into delicate vases and majestic pots, so too are the lives of four women. Concealed passions and heartaches are uncovered, relationships shattered and formed, and the possibility for transformation is revealed.
'A brilliant story of female friendships... you can't help but hear Cox's voice bounce off the pages.' HEAT
'A beautiful slice of escapism.' FEARNE COTTON
'A glorious debut from Sara, with the feel-good factor.' PRIMA
'This story has Sara's voice ringing true throughout. A fresh, cheeky, insightful take on how change can happen through female friendships.' DAWN FRENCH
'I absolutely loved it and adore the characters. Read it immediately!' CLAUDIA WINKLEMAN
'It's full of priceless pith and whip-crack observation, but has wonderful warmth at its core too.' MEL GIEDROYC
SUNDAY TIMES BESTSELLER, FEBRUARY 2023